Portuguese cinema has a long tradition, reaching back to the birth of the medium in the late 19th century. In the 1950s, Cinema Novo, (literally "New Cinema") sprang up as a movement concerned with showing realism in film, in the vein of Italian Neorealism Italian neorealism is a style of film characterized by stories set amongst the poor and working class, filmed on location, frequently using nonprofessional actors. Italian neorealist films mostly contend with the difficult economical and moral conditions of post-World War II Italy, reflecting the changes in the Italian psyche and the conditions of and the French New Wave The New Wave was a blanket term coined by critics for a group of French filmmakers of the late 1950s and 1960s, influenced by Italian Neorealism and classical Hollywood cinema. Although never a formally organized movement, the New Wave filmmakers were linked by their self-conscious rejection of classical cinematic form and their spirit of youthful. Directors Manoel de Oliveira and João César Monteiro have gained Portuguese cinema international attention.
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